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By
Christopher A. Rollston
Associate Professor of Old Testament and Semitic Studies
Emmanuel School of Religion, Graduate Seminary
And
By Heather Dana Davis Parker
Teaching Fellow of Biblical Hebrew
Emmanuel School of Religion, Graduate Seminary
March 2005
INTRODUCTION
The number of Northwest Semitic inscriptions
appearing on the antiquities market continues unabated. Some of these epigraphic
objects are genuine (i.e., ancient) inscriptions but have appeared on the market
as a result of illicit excavations. [1] Some of these epigraphic
objects, however, are modern fabrications, produced by forgers with venal,
vengeful, and vainglorious motives.
[2]
Of course, some might suggest that epigraphic
Northwest Semitic forgeries are reasonably rare, and, therefore, constitute a
minor problem for the field. However, the fact of the matter is that forgeries
are a common problem for the field, with inscriptions such as the "Moussaieff
Ostraca," the "Jehoash Inscription," and the "Ivory Pomegranate,"
being recent
notable examples. [3] Moreover, some might accept the fact that there
is a forgery crisis at this point but argue that this has indeed been primarily
a "recent phenomenon." However, the fact of the matter is that Northwest Semitic
forgeries have been a problem for some time, as "the Brazilian Phoenician
Inscription," "the Shapira Fragments," and the "Philistine Documents from
Hebron" demonstrate. [4] The point is that forgeries are a common
problem for the field and for the public, and this has been the case for some
time.
I. THE
CORRUPTION OF THE NORTHWEST SEMITIC DATASET
A most egregious result of the forgery crisis
is the fact that the dataset of Northwest Semitic inscriptions has been, in some
respects, tainted. For example, Heltzer authored a recent article treating
property rights of women in ancient Israel, but his article is based
predominantly on non-provenanced epigraphic materials, and one of the epigraphs
he mines heavily for "ancient" data is actually a modern forgery. [5]
Moreover, numerous discussions about the significance of the "Baruch ben Neriah"
bullae have been penned; however, these bullae are also modern forgeries.
[6] The point is that the dataset of ancient Northwest Semitic
inscriptions has been corrupted (in some sectors) by modern forgeries.
II.
METHODOLOGIES FOR RESTORING THE DATASET
Two broad courses of action are now necessary
for the field: (1) Specialists within the field must come to terms with the fact
that the production of forgeries in the modern period is not facile, but neither
is it that complicated. Indeed, Rollston has argued that forgers currently have
all of the necessary epigraphic, linguistic, laboratory, and media (e.g.,
potsherds, papyrus) resources to produce high quality forgeries that are capable
of "passing all the tests," or at least passing them to the satisfaction of
many. [7] For this reason, the default position with regard to non-provenanced
epigraphs should now be methodological doubt, regardless of the "sensationalism"
surrounding the epigraph. (2) Rigorous methodological protocols such as (a) the
consistent "flagging" (e.g., with an affixed Ø before the reference in lexica)
of non-provenanced inscriptions, (b) the separation of non-provenanced
inscriptions from provenanced inscriptions in handbooks and collections (rather
than putting them side-by-side, as is often the case), (c) and the relegation of
non-provenanced inscriptions to a secondary or tertiary status in the field must
become the norm (rather than allowing non-provenanced inscriptions to be the
basis for constructs about ancient culture, language, etc.). The point is that
in order to protect the dataset of Northwest Semitic inscriptions from being
tainted with forged data, non-provenanced epigraphs must be "quarantined"
permanently as tainted data (with few exceptions).
[8]
III.
RAMIFICATIONS OF THE FORGERY CRISIS FOR THE PUBLIC SPHERE
During recent years, the public has often
been inundated with sensational stories of "new epigraphic discoveries": the "Ya‘akov
Ossuary" ("James Ossuary"), the "Jehoash Inscription," "the Moussaieff Ostraca,"
and the "Ivory Pomegranate" are some of the most notable. Dominant voices have
touted such epigraphs as being of great significance "for the field" and "for
the faith." Voices of caution and moderation (that note the absence of an
archaeological pedigree and the potential of forgery) have been quelled with
substantial success. [9]
Of course, it is predictable (but
regrettable) that the public would listen to the most vocal and persistent
pronouncements about such sensationalized inscriptions and assume the accuracy
of the reports. Moreover, it is also predictable (but lamentable) that the
public (and even the field) would attempt to draw premature (and often
erroneous) historical and theological conclusions from such epigraphs. [10]
The great Israeli palaeographer Joseph Naveh justifiably penned a warning
against such things several decades ago. [11] Nevertheless, recent
history demonstrates that his sage cautions have not been consistently heralded
or heeded. [12]
Of course, it would have been helpful if the
public had been informed from the outset that these sensationalized inscriptions
were non-provenanced and that some (or many) scholars considered them to be
modern forgeries. Nevertheless, this did not occur (or at least did not occur on
the necessary scale), and historical and theological chaos became regnant in
certain circles.
It is here argued that, fortunately, museums
and collections are in a place to elevate the visibility of this problem. This
will enable the public to become more keenly aware of the problem and ultimately
will result in the public’s being much more savvy about the need to scrutinize
press reports on non-provenanced epigraphs.
IV. A MEANS OF
ATTEMPTING TO RECTIFY THE PUBLIC PROBLEM: THE PUBLIC DISPLAY OF FORGERIES
It has often been the case that museums and
collections have purchased epigraphs (and various other objects) from the
antiquities market. Some of these purchased objects are ancient, but some are
modern forgeries. Naturally, after curators discern that an object in the
collection is indeed a modern forgery, the object is (normally) removed from
exhibit. [13] Of course, for various reasons, the discovery that an
object in a collection is a modern forgery can be an embarrassment (e.g., for
the curators that authorized the purchase, the museum that used its funding to
purchase such an object, etc.). However, Rollston and Parker suggest that
museums and collections should consider displaying such objects, noting that
they are modern forgeries. This sort of exhibit is a desideratum for the public
and museums as (1) It will raise the public’s awareness of the fact that
forgeries are a common problem for various fields; (2) It will increase the
public’s sensitivity to the potential problems with non-provenanced artifacts;
(3) It will provide the public with an opportunity to understand more about the
complicated processes involved in attempting to determine the antiquity of a
non-provenanced object; (4) It will allow the museum to exhibit forged pieces,
rather than relegating them to a storage facility.
[14]
Significantly, the Israel Museum has decided
on this course of action: "The Ivory Pomegranate" is on display in the Israel
Museum as a modern forgery. The Israel Museum describes its decision to
display the forgery with the following rationale: "The Israel Museum believes
that it is important for the public to understand the process of authentication,
and the techniques involved, as well as the interplay of scholarship,
connoisseurship, and science which informs archaeological research. The
pomegranate will be shown in the archaeology galleries as an example of this
ongoing process." [15] The decision of the Israel Museum is, for the
museum and the public, salutary. We believe that this practice should be
replicated.
Furthermore, as an ancillary point, it seems
prudent at this juncture to suggest that museums and collections should also
begin to be even more intentional about the issue of "marking" objects. That is,
even in the case of non-provenanced objects that are believed to be ancient,
there should be some affirmation in the object’s description that it was not
found on a controlled archaeological excavation. Moreover, it also seems sage
for museums to include some sort of information about the problem of the
plundering of sites and the (general) superiority of excavated objects [16]
The point is that the public must receive more information about the problem of
non-provenanced artifacts and the various potentialities and ramifications.
Finally, it should also be affirmed that
museums and collections should make a concerted effort to allow credentialed
scholars to analyze non-provenanced objects in their collections. [17]
This might seem to be a needless point (as it might be assumed that museums and
collections would always allow credentialed scholars to do such analyses).
Nevertheless, for various reasons, those that own and exhibit non-provenanced
objects might be reluctant to permit the study of these objects.
[18]
CONCLUSION
Forgeries have been a perennial problem for
some time, and it should be anticipated that the problem will become even more
severe, with superior forgeries being the norm in coming decades. (1) Therefore,
the field of Northwest Semitic studies must implement strategies and
methodologies to ensure the purity of the dataset upon which historical and
linguistic constructs are based. (2) Moreover, museums and collections should
begin to be even more intentional about addressing the problem by exhibiting
forgeries and including discussions of the problems associated with non-provenanced
artifacts. This will raise public awareness of the issue and reduce the
credulousness that has been regnant of late.
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